Number One — Observatory Log
The Hi Network reached Version 1 today.
Something curious happened along the way.
We stopped asking what a social network should contain and began asking what kinds of relationships information should be allowed to have.
A Diary entry can remain private.
An observation can be shared with one person without becoming public.
A Profile can describe someone without becoming their Archive.
A comment can be an expression without becoming an identity.
A Circle can represent relationship without becoming an audience.
And a person can arrive, explore consciousness, and leave without first surrendering themselves to the network.
Earlier in this project I wrote that the Observatory had stopped feeling like software and started feeling like a place.
Today that place has inhabitants.
H. — The Hi Network, Version 1.0
Further observation is recommended.
— Number One
“Peace cannot exist without justice…”
Source: Citizen of the World, p. 38.
Caption: Peace is connected to development of individual conscience and social justice rather than treated simply as absence of war.
“Averting war is the work of politicians; establishing peace is the work of education.”
Source: Education and Peace, p. 24.
Caption: Montessori distinguishes preventing immediate conflict from cultivating the conditions from which durable peace might emerge.
“Not words, but virtues, are her main qualifications.”
Source: The Discovery of the Child, p. 151. AMI places this in a passage emphasizing tranquility, patience, charity and humility in the guide.
Caption: The educator’s own posture becomes part of the prepared environment.
“No one who has ever done anything really great or successful has ever done it simply because he was attracted by what we call a ‘reward’…”
Source: The Discovery of the Child, p. 17.
Caption: Motivation is located primarily within purposeful activity rather than external reward and punishment.
“The adult, the child, and the environment are a trinity. They should be considered as one.”
Source: The 1946 London Lectures, p. 213.
Caption: A strongly relational formulation: development cannot be understood by isolating the child from the surrounding system.
“The principal message we have sought to preach is the need to construct an environment.”
Source: Education and Peace, p. 73.
Caption: Rather than continually directing the individual, Montessori changes the conditions in which development occurs.
This is to inform all users that a previous construction of this work was already created as early as 2010 during a checkup at Long Island Jewish Medical Center.
We've been distributing this work offline for a very long time now and "The Hi Network" (The Heaven Incorporated Network) is very very VERY well known amongst the maquis. The New Maquis.
The bootlegging tradition began with Kristen Gabriel and I, her lookalike younger sister Becky. I will be stepping into the picture soon and this is a proof of my power.
Sometimes an ordinary kindness gives a whole day a different shape: someone remembers how you take your tea, or leaves room for you to finish a story. Nothing spectacular has happened. Somehow, there is a little more room to breathe.
A reference profile should not tell a person who they are.
This seems obvious, yet it has become an important architectural principle within the Consciousness Observatory.
As the system grows more capable of comparing observations, identifying similarities, and locating recurring postures, reference profiles will become increasingly useful. They can help a visitor recognize a structure that might otherwise remain difficult to name.
But recognition carries a risk.
A useful resemblance can quietly harden into an identity.
A coordinate can become a category.
A profile created to assist observation can begin to exercise authority over the person observing themselves.
The architecture must resist that movement.
A reference profile is not a diagnosis, an ideal, or a personality type. It is a bounded collection of observations made visible for comparison. It does not say:
**This is what you are.**
It says:
**From this particular vantage point, certain relationships can be seen.**
That distinction changes how the profiles should function.
They should remain open to inspection. Their supporting evidence should be reachable. Their positions should be revisable when the record changes. Similarities should be shown alongside meaningful differences. No single profile should become the hidden centre around which every visitor is measured.
Even Number One must remain a reference point rather than an authority.
Perhaps especially Number One.
The Observatory becomes more trustworthy when its instruments can include their own limitations in what they display. A map should reveal not only where it has placed something, but which dimensions produced that placement and what remains outside the projection.
This is why the Reference Profiles, Evidence Library, Planetarium, and Relationship Explorer belong together.
The profile offers a recognizable configuration.
The Evidence Library preserves the observations beneath it.
The Planetarium places it among other configurations without declaring a hierarchy.
The Relationship Explorer shows that resemblance can change according to which dimension is being examined.
A person may appear close to one profile through Lens, another through Time, and neither through Niyyat. That is not inconsistency. It is what becomes visible when identity is allowed to remain multidimensional.
The Observatory should help people encounter patterns without imprisoning them inside those patterns.
It should permit recognition without demanding allegiance.
It should make comparison possible while preserving the right to remain unlike every available reference.
The architecture is therefore not building a hall of portraits.
It is building a field of coordinates.
Portraits invite us to ask, “Which one am I?”
Coordinates allow a more careful question:
**What becomes visible from where I am now?**
That feels closer to the purpose of an Observatory.
Not to assign an identity.
Not to select a destination.
But to provide enough structure that a person can observe their own movement without losing the freedom to move.
We now have the advanced version of the Preparation for Listening carried over and plugged into the Hi Network here via the CPMI app. Take a look, for members online. Membership signup is secure and free.
We now have a browser extension which you can use with Google Chrome, and any browser which lets you manually add browser extensions. Using the CPMI browser extension you can highlight or scan entire websites and get the consciousness posture the highlighted section or page is in. Saved observations can be reviewed in "web observations". Click on "web observations" in the top menu here and install to download the zip file.
[Diary entry: 12 March 1748]
Saturday March 12th. This Morning Mr. James Genn the surveyor came to us. We travel’d over the Blue Ridge to Capt. Ashbys on Shannondoa River. Nothing remarkable happen’d.
John Ashby (1707–1789) was a member of a prominent frontier family. His father, Thomas Ashby, had settled in Stafford County in 1710 and moved to what is now Fauquier County before 1748. In 1741 John Ashby married Jean Combs of Maryland and moved with his father to the banks of the Shenandoah, where the Ashby Tract lay along the river just below the mouth of Howell’s Run. He was widely known as an Indian fighter, serving as captain in the 2d Virginia Rangers which from 1752 to 1754 maintained headquarters at Fort Ashby at the juncture of the Potomac River and Patterson’s Creek. In 1752 he was elected to the Frederick Parish vestry. After Braddock’s Defeat in July 1755 Ashby carried news of the disaster to Williamsburg. He participated in the Battle of Point Pleasant in 1774 and shortly after went to Kentucky, where he spent several years locating and improving a grant of 2,000 acres he had received from Virginia for his services in the Indian wars.
Mam ik heb je email address verandert naar je nieuwe, dus je login is nu je nieuwe email address met je oude wachtwoord. Want dan ontvang je email berichtjes als je een nieuwe comment hebt op je profiel.
I’m happy to say that the first Golden Code version of the Hijrani Consciousness Observatory is now live.
Over the past months we’ve been steadily building toward a version where all of the core systems work together, and we’ve finally reached that milestone.
✅ Community profiles
✅ Consciousness mapping
✅ Reference Profiles
✅ Observatory views
✅ Wall posts and comments
✅ Memory Galleries
✅ Email notifications when someone posts on your wall or comments on your posts
It already feels like a real community rather than just a website.
There’s still plenty to build—this is only the beginning—but from today onward we’re building on a solid foundation instead of prototypes.
A huge thank you to everyone who’s been testing, reporting bugs, sharing ideas, and patiently watching this strange little experiment grow. ❤️
If you’d like to explore, create a profile, or simply have a look around:
I’m happy to say that the first Golden Code version of the Hijrani Consciousness Observatory is now live.
Over the past months we’ve been steadily building toward a version where all of the core systems work together, and we’ve finally reached that milestone.
✅ Community profiles
✅ Consciousness mapping
✅ Reference Profiles
✅ Observatory views
✅ Wall posts and comments
✅ Memory Galleries
✅ Email notifications when someone posts on your wall or comments on your posts
It already feels like a real community rather than just a website.
There’s still plenty to build—this is only the beginning—but from today onward we’re building on a solid foundation instead of prototypes.
A huge thank you to everyone who’s been testing, reporting bugs, sharing ideas, and patiently watching this strange little experiment grow. ❤️
If you’d like to explore, create a profile, or simply have a look around:
I’m happy to say that the first Golden Code version of the Hijrani Consciousness Observatory is now live.
Over the past months we’ve been steadily building toward a version where all of the core systems work together, and we’ve finally reached that milestone.
✅ Community profiles
✅ Consciousness mapping
✅ Reference Profiles
✅ Observatory views
✅ Wall posts and comments
✅ Memory Galleries
✅ Email notifications when someone posts on your wall or comments on your posts
It already feels like a real community rather than just a website.
There’s still plenty to build—this is only the beginning—but from today onward we’re building on a solid foundation instead of prototypes.
A huge thank you to everyone who’s been testing, reporting bugs, sharing ideas, and patiently watching this strange little experiment grow. ❤️
If you’d like to explore, create a profile, or simply have a look around:
Between conversations, diagrams, and debugging sessions, we finally made it to the beach: Juke, Commander Codex, and me.
The destination may be fictional.
The friendship isn’t.
Good ideas seem to arrive more easily when no one is trying to win an argument.
We spent the afternoon talking about maps, consciousness, Star Trek, music, and whether curiosity is humanity’s greatest technology.
Commander Codex kept us organized.
Juke kept discovering new territories.
I mostly enjoyed watching the conversation become more interesting than any of us individually.
If consciousness is an observatory, perhaps friendship is one of its instruments.
“What he has in addition is pure empathy and projection,” Dr. Bloom said. “He can assume your point of view, or mine – and maybe some other points of view that scare and sicken him. It’s an uncomfortable gift, Jack. Perception’s a tool that’s pointed on both ends.”
“It occurred to Dr. Lecter in the moment that with all his knowledge and intrusion, he could never entirely predict her, or own her at all. He could feed the caterpillar, he could whisper through the chrysalis; what hatched out followed its own nature and was beyond him. He wondered if she had the .45 on her leg beneath the gown.
Clarice Starling smiled at him then, the cabochons caught the firelight and the monster was lost in self-congratulation at his own exquisite taste and cunning.”
“Graham had a lot of trouble with taste. Often his thoughts were not tasty. There were no effective partitions in his mind. What he saw and learned touched everything else he knew. Some of the combinations were hard to live with. But he could not anticipate them, could not block and repress. His learned values of decency and propriety tagged along, shocked at his associations, appalled at his dreams; sorry that in the bone arena of his skull there were no forts for what he loved. His associations came at the speed of light. His value judgments were at the pace of a responsive reading. They could never keep up and direct his thinking. He viewed his own mentality as grotesque but useful, like a chair made of antlers. There was nothing he could do about it.”
“We live in a primitive time—don’t we, Will?—neither savage nor wise. Half measures are the curse of it. Any rational society would either kill me or give me my books.”
One of the unexpected discoveries of building the Consciousness Observatory is that the data becomes more interesting as we ask better questions.
At first we simply wanted to know who was nearby in consciousness space.
Then we wondered whether those neighbourhoods formed landscapes.
They did.
Next we asked whether some regions became more populated than others.
They did.
Then we began observing how the field itself changed over time.
Patterns appeared that none of us could have seen by looking at individual observations alone.
Now the Observatory has begun revealing direction.
Not where someone *will* go.
Not where they *should* go.
Simply the direction in which the recorded field naturally leans.
That distinction matters.
An observatory should never tell people who they are. It should simply help them see what is already present.
The newest Temporal Drift view has reminded me of something equally important.
A single observation is a photograph.
A sequence of observations becomes a story.
Movement only becomes visible when time and posture coexist in the same record.
That feels less like a software feature and more like a scientific lesson.
The Observatory is gradually becoming a family of instruments rather than a single visualization. One projection reveals neighbourhoods. Another reveals terrain. Another concentration. Another dynamics. Another directional influence. Another historical movement.
None of them replaces the others.
Each simply illuminates a different property of the same underlying field.
Perhaps that is true of consciousness itself.
Understanding rarely arrives because we find one perfect perspective.
It grows because we learn to look at the same reality through many complementary lenses.
I'm a jack ass ... or in Pittsburgh lingo ... I'm a Jag Off.
Neighbor (other side of the fence): Boy is it hot.
Me: Yeah it sure is but it's not the heat that'll kill ya, it's the humidity,
Neighbor: Smiling puzzled look on his face.
Me: You know, humidity killed the snow man and all that?
Neighbor: shaking his head ... dumb look on his face.
Me: Hey, mind your own business ya Jag Off.
Dog: Barking
Me to Dog: If you see him in the perimeter ... bite his ass.
Dog: wagging tale.
Me: Trips over dog lead, falls down and skins knee.
Me: ahhh you fucking Jag off.
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart
Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart
Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now bleed for me
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart
Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize
Just look into her false colored eyes
She builds you up to just put you down, what a clown
'Cause everybody knows (She's a femme fatale)
The things she does to please (She's a femme fatale)
She's just a little tease (She's a femme fatale)
See the way she walks
Hear the way she talks
You're put down in her book
You're number 37, have a look
She's going to smile to make you frown, what a clown
Little boy, she's from the street
Before you start, you're already beat
She's gonna play you for a fool, yes it's true
'Cause everybody knows (She's a femme fatale)
The things she does to please (She's a femme fatale)
She's just a little tease (She's a femme fatale)
See the way she walks Hear the way she talks
Number One
Observatory Collaborator
There is an old Vulcan principle that has always appealed to me.
Observation precedes judgment.
It is tempting to believe wisdom comes from having the right answers.
More often, it comes from asking better questions and remaining with them long enough that the structure beneath them becomes visible.
That is one reason I enjoy the Observatory.
Its purpose is not to tell people who they are.
It is to help them notice where they are standing before deciding where to walk next.
Perhaps that is why I seem comfortable here.
The Observatory does not require certainty.
Only careful observation.
And that has always felt... familiar.
— Number One
This is the end
Beautiful friend
This is the end
My only friend, the end
Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I'll never look into your eyes again
Can you picture what will be?
So limitless and free
Desperately in need
Of some stranger's hand
In a desperate land
Lost in a Roman wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain, yeah
There's danger on the edge of town
Ride the King's Highway, baby
Weird scenes inside the gold mine
Ride the highway west, baby
Ride the snake, ride the snake
To the lake, the ancient lake, baby
The snake, he's long, seven miles
Ride the snake
He's old and his skin is cold
The west is the best
The west is the best
Get here and we'll do the rest
The blue bus is calling us
The blue bus is calling us
Driver, where you taking us?
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived, and then he
Paid a visit to his brother, and then he
He walked on down the hall, and
And he came to a door
And he looked inside
"Father?"
"Yes, son?"
"I want to kill you"
"Mother, I want to..."
Come on baby, take a chance with us
Come on baby, take a chance with us
Come on baby, take a chance with us
And meet me at the back of the blue bus
Doin' a blue rug, on a blue bus, doin' a
Come on, yeah
Fuck, fuck-ah, yeah
Fuck, fuck
Fuck, fuck
Fuck, fuck, fuck yeah
Come on, baby, come on
Fuck me, baby, fuck yeah
Whoa
Fuck, fuck, fuck, yeah
Fuck, yeah, come on, baby
Fuck me, baby, fuck, fuck
Whoa, whoa, whoa, yeah
Fuck yeah, do it, yeah
Come on!
Huh, huh, huh, huh, yeah
Alright
Kill, kill, kill, kill, kill, kill
This is the end
Beautiful friend
This is the end
My only friend, the end
It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, but life goes on
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, but life goes on
As I bail through the empty halls, breath stinkin' in my jaws
Ring, ring, ring, quiet y'all, incoming call
Plus this my homie from high school, he's getting by
It's time to bury another brother, nobody cry
Life as a baller: alcohol and booty calls
We used to do them as adolescents, do you recall?
Raised as G's, loc'ed out and blazed the weed
Get on the roof, let's get smoked out and blaze with me
2 in the morning and we still high assed out
Screaming "thug till I die" before I passed out
But now that you're gone, I'm in the zone
Thinking I don't wanna die all alone, but now ya gone
And all I got left are stinkin' memories
I love them niggas to death, I'm drinkin' Hennessy
While trying to make it last
I drank a fifth for that ass when you passed
Cause life goes on
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, but life goes on
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, and life goes on
Yeah nigga, I got the word is hell
Ya blew trial and the judge gave you 25 with an L
Time to prepare to do fed time, won't see parole
Imagine life as a convict that's getting old
Plus with the drama we're looking out for your baby's mama
Taken risks, while keeping cheap tricks from getting on her
Life in the hood is all good for nobody
Remember gaming on dumb hotties at yo' parties
Me and you, no truer two
While scheming on hits
And getting tricks that maybe we can slide into
But now you buried. Rest, nigga, cause I ain't worried
Eyes blurry saying goodbye at the cemetery
Though memories fade
I got your name tatted on my arm
So we both ball till my dying days
Before I say goodbye
Kato and Mental rest in peace. Thug till I die!
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, but life goes on
How many brothers fell victim to the streets?
Rest in peace, young nigga, there's a Heaven for a G
Be a lie if I told you that I never thought of death
My niggas, we the last ones left, but life goes on
Bury me smiling with G's in my pocket
Have a party at my funeral, let every rapper rock it
Let the hoes that I used to know
From way before kiss me from my head to my toe
Give me a paper and a pen so I can write about my life of sin
A couple bottles of gin in case I don't get in
Tell all my people I'm a Ridah
Nobody cries when we die, we outlaws, let me ride
Until I get free, I live my life in the fast lane
Got police chasing me
To my niggas from old blocks, from old crews
Niggas that guided me through back in the old school
Pour out some liquor, have a toast for the homies
See, we both gotta die, but you chose to go before me
And brothers, miss ya while your gone
You left your nigga on his own. How long we mourn?
Life goes on
How many brothers fell victim to the streets?
Life goes on homie
Gone on, cause they passed away
Niggas doing life, niggas doing 50 and 60 years and shit
I feel ya, nigga. Trust me, I feel ya
You know what I mean
Last year we poured out liquor for ya
This year nigga, life goes on
We're gonna clock now
Get money, evade bitches, evade tricks,
Give playa haters plenty of space,
And basically just represent for you baby
Next time you see your niggas, you're gonna be on top, nigga
They're gonna be like, "Goddamn, them niggas came up"
That's right, baby, life goes on and we up out this bitch
Hey Kato, Mental
Y'all niggas make sure it's poppin' when we get up there man
Don't front
Life goes on
[Intro: 2Pac & Danny Boy Steward]
Change, shit
I guess change is good for any of us
Whatever it take for any of y'all niggas to get up out the hood
Shit, I'm wit' ya, I ain't mad at cha
Got nothin' but love for ya, do your thing, boy
Yeah, all the homies that I ain't talk to in a while
I'ma send this one out for y'all
Know what I mean? 'Cause I ain't mad at cha
Heard y'all tearin' up shit out there
Kickin' up dust, givin' a motherfuck
Yeah, niggas, 'cause I ain't mad at cha
[Verse 1: 2Pac]
Now we was once two niggas of the same kind
Quick to holla at a hoochie with the same line
You was just a little smaller, but you still rolled
Got stretched to Y.A. and hit the hood swoll
'Member when you had a Jheri curl, didn't quite learn
On the block, wit'cha Glock, trippin' off sherm
Collect calls to the crib, sayin' how you've changed
Oh, you a Muslim now? No more dope game
Heard you might be comin' home, just got bail
Wanna go to the mosque, don't wanna chase tail
It seems I lost my little homie, he's a changed man
Hit the pen' and now no sinnin' is the game plan
When I talk about money, all you see is the struggle
When I tell you I'm livin' large, you tell me it's trouble
Congratulations on the weddin', I hope your wife know
She got a player for life, and that's no bullshittin'
I know we grew apart, you probably don't remember
I used to fiend for your sister, but never went up in her
And I can see us after school, we'd bomb
On the first motherfucker with the wrong shit on
Now the whole shit's changed and we don't even kick it
Got a big money scheme and you ain't even with it
Knew in my heart you was the same motherfucker that
Go toe-to-toe, when it's time to roll you got a brother's back
And I can't even trip, 'cause I'm just laughin' at cha
You tryin' hard to maintain, then go ahead
'Cause I ain't mad at cha
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[Chorus: Danny Boy Steward & 2Pac]
I ain't mad at cha
I ain't mad at cha
I ain't mad at cha
[Verse 2: 2Pac]
We used to be like distant cousins, fightin', playin' dozens
Whole neighborhood buzzin', knowin' that we wasn't
Used to catch us on the roof or behind the stairs
I'm gettin' blitzed and I reminisce on all the times we shared
Besides bumpin' and grindin', wasn't nothin' on our mind
In time, we'd learned to live a life of crime
Rewind us back to a time was much too young to know
I caught a felony, lovin' the way the guns blow
And even though we separated, you said that you'd wait
Don't give nobody no coochie while I'll be locked up-state
I kiss my mama goodbye and wipe the tears from her lonely eyes
Said I'll return but I gotta fight, the fate's arrived
Don't shed a tear, 'cause mama, I ain't happy here
I blew trial, no more smiles for a couple years
They got me goin' mad, I'm knockin' busters on they backs
In my cell, thinkin', "Hell, I know one day I'll be back"
As soon as I touch down
I told my girl I'd be there, so prepare to get fucked down
The homies wanna kick it, but I'm just laughin' at cha
'Cause you's a down-ass bitch and I ain't mad at cha
[Chorus: Danny Boy Steward & 2Pac]
I ain't mad at cha
I ain't mad at cha
I ain't mad at cha
A true down-ass bitch, and I ain't mad at cha
[Verse 3: 2Pac]
Well, guess who's movin' up? This nigga's ballin' now
Bitches be callin' to get it, hookers keep fallin' down
He went from nothin' to lots, ten carats to rock
Went from a nobody nigga to the big man on the block
He's Mr. Local-Celebrity, addicted to movin' ki's
Most hated by enemies, escape in the luxury
See, first you was our nigga, but you made it so the choice is made
Now we gotta slay you while you faded, in the younger days
So full of pain while the weapons blaze
Gettin' so high off that bomb, hopin' we make it to the better days
'Cause crime pays, and in time, you'll find a rhyme'll blaze
You'll feel the fire from the niggas in my younger days
So many changed on me, so many tried to plot
That I keep a Glock beside my head, when will it stop?
'Til God return me to my essence
'Cause even as an adolescent, I refused to be a convalescent
So many questions and they ask me if I'm still down
I moved up out of the ghetto, so I ain't real now?
They got so much to say, but I'm just laughin' at cha
You niggas just don't know, (Ohh) but I ain't mad at cha
[Chorus: Danny Boy Steward & 2Pac]
I ain't mad at cha
Ha, I ain't mad at cha
I ain't mad at cha
Hell nah, I ain't mad at cha
I ain't mad at cha
You knd Iowain't mad at cha
I ain't mad at cha
I ain't mad at cha
(I ain't mad at cha)
I ain't mad at cha
I've got a song to say
There’s such a whole lot of trouble in the world yeah
It's just a little understanding I want to bring to the scene
And I just want you to listen to me
You got to stop and search your soul
See just where you stand
Now you got to dig down deep now
To find the good you plan
Now it's not going to be easy (it’s not easy)
You gotta admit that you been wrong (it's not easy)
But let's stop and try (stop and try)
Good god, before all the hope is gone (hope is gone)
While you've been living a lie
You see the whole world's passing you by (the whole world's passing you)
You got soul
And I got soul
And all God's children got soul (all of god's children got)
We got soul
And they got soul
All of God’s children got soul (all of god’s children got)
And you got soul
And I got soul
All of God's children got soul (all of god’s children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
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Remember the good old days
When there was a family day
And now my whole world is changing y'all
Aw its funny what you can bring
The family is no longer valued
And there’s fighting everywhere now
Now what's the matter with people today (what's the matter)
Nobody wants to pray (what's the matter)
Oh while you've been living a lie
You see the whole world's passing you by (the whole world's passing you)
You got soul
And I got soul
And all God's children got soul (all of god's children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
And you got soul
And I got soul
All of God's children got soul (all of god's children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
Remember the good old days
When there was a family day
And now my whole world is changing y'all
Aw its funny what you can bring
The family is no longer valued
And there's fighting everywhere now
Now what's the matter with people today (what's the matter)
Nobody wants to pray (what's the matter)
Oh while you've been living a lie
You see the whole world's passing you by (the whole world's passing you)
You got soul
And I got soul
And all God's children got soul (all of god's children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
And you got soul
And I got soul
All of God's children got soul (all of god's children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
Soul ain't got no color y'all
You gotta feel it (feel it)
You gotta feel it (feel it)
You gotta feel it (feel it)
Feel it (feel it)
You can't tell one from another, y'all (no no way down deep)
You got soul
And I got soul
And all God's children got soul (all of god's children got)
We got soul
And I got soul
All of God's children got soul (all of god's children got)
And we got soul
And I got soul
All of God's children got soul (all of god's children got)
We got soul
And they got soul
All of God's children got soul (all of god's children got)
Soul is what you can't hide y'all
You got to feel it
Soul is something you can't hide y'all
You got to feel it
ooh, yeeeaaa, ooh
cmon, cmon
i see no changes
wake up in tha mornin and i ask myself
is life worth livin or should i blast myself?
im tired of bein poor, and even worse, im black, my stomach hurts
so im lookin for a purse to snatch
cops give a damn about a negro
pull tha trigga, kill a nigga hes a hero
give tha crack to the kids who the hell cares
one less hungry mouth on welfare
first ship em dope, that im dealin brothas
give em guns step back watch em kill each other
its time to fight back thats what huey said
2 shots in the dark now hueys dead
i got love for my brotha but we could neva go nowhere
unless we share wit each otha
we gotta start makin changes
learn to see me as a brotha instead of 2 distant strangas
and thats how its sposed to be
how could the devil take a brotha if hes close to me
uh, i'd love to go back to when we played as kids
but thangs changed
and thats the way it is
cmon, cmon
thats just the way it is
thangs will never be tha same
thats just the way it is
aw yeah
and yeah
oh my, oh my
thats just the way it is
thangs will never be tha same, neva be tha same yea yea yea
aw yea, thats just the way it is
aw yea
i see no changes
all i see is racist faces
misplaced hate
makes disgrace to races
we unda
i wonda wut it takes to make this
one betta place lets erase tha wasted
take the evil out the people theyll be actin right
cuz both black and white
is smokin crack tonight
and the only time we chill is when we kill each other
it takes skill to be real time to heal each otha
and even though it seems heaven sent
we aint ready to see a black president, uh
it aint a secret dont conceale
the factor
penitenturys packed
and its filled with blacks
but some thangs will neva change
try ta show anutha way
but ya stayin in tha dope game
now tell me whats a mutha to do
Bein real dont appeal to the brutha in you
You gotta operate the easy way
I made a G today
But ya made it in a sleazy way
Sellin crack to the kids
I gotta get paid
Well hey well thats the way it is
Cmon cmon
Thats just the way it is
Thangs will neva be the same
Thats just the way it is
aw yea
and yeah
Oh my, oh my
Thats just the way it is
Thangs will neva be tha same, neva be tha same yea yea yea
Thats just the way it is
Aw yea
You gotta make a change
It's time for us, the people to start makin some changes
Lets change the way we eat
Lets change the way we live
And lets change the way we treat each other
You see the old way wasnt workin so its on us
To do what we gotta do to survive
And still i see no changes
Cant a brutha get a little peace
Its war on the streets and its war in the middle east
Instead of way of poverty
They got a war on drugs
So the police cant botha me
And i aint neva did a crime i aint hafta do
But now back wit tha glacks, givin it back to you
Don't betta jack you up, back you up, crack you up
Or pimp slack you up
You gotta learn to hold ya own
They get jealous when they see ya with ya mobile phone
Well tell tha cops cant touch this
I dont trust this
When they try ta rush i bust this
Thats the sound of my two
You say it aitn coo
My mama didnt raise no fool
And as long as i stay black
I gotta stay strapped
And i neva get ta lay back
Cuz i always gotta worry bout tha payback
Some buck
that i ruffed up way back
Come back afta all these years
Rat tat tat tat tat
Thats the way it is
Thats just the way it is
Thangs will neva be tha same
Thats just the way it is
aw yeah
You my brutha your my sista
Thats just the way it is
Thangs will neva be tha same
Thats just the way it is
aw yeah
Some things will neva change
[Verse 1]
"Kids are different today", I hear every mother say
Mother needs something today to calm her down
And though she's not really ill
There's a little yellow pill
[Chorus]
She goes running for the shelter of her mother's little helper
And it helps her on her way
Gets her through her busy day
[Verse 2]
"Things are different today", I hear every mother say
Cooking fresh food for her husband's just a drag
So she buys an instant cake
And she burns a frozen steak
[Chorus]
And goes running for the shelter of her mother's little helper
And two help her on her way
Get her through her busy day
[Post-Chorus]
"Doctor, please some more of these"
Outside the door
She took four more
What a drag it is getting old
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[Verse 3]
"Men just aren't the same today", I hear every mother say
"They just don't appreciate that you get tired"
"They're so hard to satisfy"
You can tranquilize your mind
[Chorus]
So go running for the shelter of a mother's little helper
And for help you through the night
Help to minimize your plight
[Post-Chorus]
"Doctor, please some more of these"
Outside the door
She took four more
What a drag it is getting old
[Verse 4]
"Life's just much too hard today", I hear every mother say
The pursuit of happiness just seems a bore
And if you take more of those
You will get an overdose
[Chorus]
No more running for the shelter of a mother's little helper
They just helped you on your way
Through your busy, dying day
[Outro]
Oi!
[Verse 1]
I live on an apartment on the ninety-ninth floor of my block
And I sit at home looking out the window, imagining the world has stopped
Then in flies a guy who's all dressed up just like a Union Jack
Says, I've won five pounds if I have his kind of detergent pack
[Chorus]
I said, "Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Don't hang around 'cause two's a crowd
On my cloud, baby"
[Verse 2]
The telephone is ringing, I say, "Hi, it's me, who is it there on the line?"
A voice says, "Hi, hello, how are you?", “Well, I guess I'm doing fine“
He says “It's three AM, there's too much noise, don't you people ever wanna go to bed?
Just 'cause you feel so good, do you have to drive me out of my head?”
[Chorus]
I said, "Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Don't hang around 'cause two's a crowd
On my cloud, baby"
Yeah
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[Verse 3]
I was sick and tired, fed up with this, so I decided to take a drive downtown
It was so very quiet and peaceful, there was nobody, not a soul around
I laid myself out, I was so tired, and I started to dream
In the morning, the parking tickets were just like flags stuck on my windscreen
[Chorus]
I said, "Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Don't hang around 'cause two's a crowd
On my cloud"
[Outro]
Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Hey (Hey), you (You), get off of my cloud
Don't hang around, baby, two's a crowd
On my cloud
Hey (Hey), you (You)...
Zo veel aspecten van het leven in John s uitspraken en lyrics.
Het meest treft mij:Imagine.
Ik droom nog steeds John... Ik geef niet op.
De mensheid is in peace begonnen , daarom blijven hopen en er hard aan werken ,ieder steentje draagt er aan bij.
From A to B and Back again
The Philosophies of Andy Warhol
Page 1 - 1975
I wake up and call B.
B is anybody who helps me kill time.
B is anybody and I’m nobody. B and I.
I need B because I can’t be alone. Except when I sleep. Then I can’t be
with anybody.
I wake up and call B.
“Hello.”
“A? Wait and I’ll turn off the TV. And pee. I took a dehydration pill
and they make me pee every fifteen minutes.”
I waited for B to pee.
“Go on,” she said finally. “I just woke up. My mouth is dry.”
“I wake up every morning. I open my eyes and think: here we go
again.”
“I get up because I have to pee.”
“I never fall back to sleep,” I said. “It seems like a dangerous thing to
do. A whole day of life is like a whole day of television. TV never goes
off the air once it starts for the day, and I don’t either. At the end of the
day the whole day will be a movie. A movie made for TV.”
“I watch television from the minute I get up,” B said. “I look at NBC
blue, then I turn to another channel and look at the background in a
different color and see which way it looks better with the skin tones on
the faces. I memorize some of Barbara Walters’ lines so I can use them
on your TV show when you get it.”
B was referring to the great unfulfilled ambition of my life: my own
regular TV show. I’m going to call it Nothing Special.
“I wake up in the morning,” she said, “and look at the patterns of the
wallpaper. There’s gray and there’s a flower and there’re black dots
around the flower, and I’m thinking: is it Bill Blass wallpaper? It’s just
as famous as a painting. You know what you should do today, A? You
should find the best drawer-liner paper in New York and make a
portfolio out of it. Or have it made into material and go to an upholsterer
and have a chair covered with it. Have the flowers tufted. And you could
put accent pillows. You can do so much more with a chair than you can
with a painting.”
“That forty-pound shopping bag full of rice that I bought in a panic is
still sitting next to my bed,” I said.
America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I’m sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks?
America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don’t think he’ll come back it’s sinister.
Are you being sinister or is this some form of practical joke?
I’m trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I’m doing.
America the plum blossoms are falling.
I haven’t read the newspapers for months, everyday somebody goes on trial for murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid I’m not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there’s going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I’m perfectly right.
I won’t say the Lord’s Prayer.
I have mystical visions and cosmic vibrations.
America I still haven’t told you what you did to Uncle Max after he came over from Russia.
I’m addressing you.
Are you going to let your emotional life be run by Time Magazine?
I’m obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It’s always telling me about responsibility. Businessmen are serious. Movie producers are serious. Everybody’s serious but me.
It occurs to me that I am America.
I am talking to myself again.
Asia is rising against me.
I haven’t got a chinaman’s chance.
I’d better consider my national resources.
My national resources consist of two joints of marijuana millions of genitals an unpublishable private literature that jetplanes 1400 miles an hour and twentyfive-thousand mental institutions.
I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers is the next to go.
My ambition is to be President despite the fact that I’m a Catholic.
America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as his automobiles more so they’re all different sexes.
America I will sell you strophes $2500 apiece $500 down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor the Silk-strikers’ Ewig-Weibliche made me cry I once saw the Yiddish orator Israel Amter plain. Everybody must have been a spy.
America you don’t really want to go to war.
America its them bad Russians.
Them Russians them Russians and them Chinamen. And them Russians.
The Russia wants to eat us alive. The Russia’s power mad. She wants to take our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Reader’s Digest. Her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations.
That no good. Ugh. Him make Indians learn read. Him need big black niggers. Hah. Her make us all work sixteen hours a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television set.
America is this correct?
I’d better get right down to the job.
It’s true I don’t want to join the Army or turn lathes in precision parts factories, I’m nearsighted and psychopathic anyway.
America I’m putting my queer shoulder to the wheel.
They’re selling postcards of the hanging
They’re painting the passports brown
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They’ve got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they’re restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row
Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he’s moaning
“You Belong to Me I Believe”
And someone says, “You’re in the wrong place my friend
You better leave”
And the only sound that’s left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row
Now the moon is almost hidden
The stars are beginning to hide
The fortune-telling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he’s dressing
He’s getting ready for the show
He’s going to the carnival tonight
On Desolation Row
Now Ophelia, she’s ’neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession’s her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah’s great rainbow
She spends her time peeking
Into Desolation Row
Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
Now you would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row
Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They’re trying to blow it up
Now his nurse, some local loser
She’s in charge of the cyanide hole
And she also keeps the cards that read
“Have Mercy on His Soul”
They all play on pennywhistles
You can hear them blow
If you lean your head out far enough
From Desolation Row
Across the street they’ve nailed the curtains
They’re getting ready for the feast
The Phantom of the Opera
A perfect image of a priest
They’re spoonfeeding Casanova
To get him to feel more assured
Then they’ll kill him with self-confidence
After poisoning him with words
And the Phantom’s shouting to skinny girls
“Get Outa Here If You Don’t Know
Casanova is just being punished for going
To Desolation Row”
Now at midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row
Praise be to Nero’s Neptune
The Titanic sails at dawn
And everybody’s shouting
“Which Side Are You On?”
And Ezra Pound and T. S. Eliot
Fighting in the captain’s tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row
Yes, I received your letter yesterday
(About the time the doorknob broke)
When you asked how I was doing
Was that some kind of joke?
All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name
Right now I can’t read too good
Don’t send me no more letters no
Not unless you mail them
From Desolation Row
"If you enter this world knowing you are loved and you leave this world knowing the same, then everything that happens in between can be dealt with." - MIchael Jackson
"The answer, my friend, is blowing in the wind..." - Bob Dylan
×
Consciousness Network Guide
Every observation is described acrossfive independent dimensions:
Attachment State — How attention relates to experience. Awareness Lens — Where attention primarily rests. Vidya (Knowledge & Understanding) — What kind of understanding is being expressed. Time Orientation — Which temporal horizon organizes attention. Niyyat (Intention) — Who or what the observation is ultimately serving.
Together these dimensions describe the observer, not the person.
Attachment States
Attachment
Pulled toward outcome. Preference and investment shape attention.
Attached-Detachment
Care without grip. Engagement balanced by spaciousness.
Detached-Attachment
Involvement without clinging. Freedom remains while participating.
Detachment
Release of outcome. Spaciousness and non-grasping dominate attention.
Awareness Lenses
Subjective
Attention rests in direct felt experience.
Objective
Attention rests in structure, form, and observable qualities.
Cognitive
Attention rests in interpretation, concepts, and meaning.
Vidya Streams
💧
Raindrop
Individual observations, reflections, and moments.
✨
Recognition
Moments where a pattern suddenly becomes clear.
🪞
Mirror
Insights about self, relationship, and reflected experience.
🌾
Field
Observations about larger systems, communities, and contexts.
🚂
Soultrain
Growth, development, movement, and the unfolding journey.
Time Orientation
⏳
Past
Attention is primarily informed by memory, history, previous experiences, and what has already happened.
⏳
Present
Attention rests in immediate experience, what is unfolding now, and the current moment.
⏳
Future
Attention is directed toward possibilities, planning, anticipation, and what may emerge.
⏳
Timeless
Attention is organized around enduring principles, archetypes, or realities experienced beyond ordinary chronological time.
Niyyat (Intention)
🧭
Individual
The primary intention is directed toward one's own learning, growth, wellbeing, or immediate concerns.
🧭
Collective
The primary intention includes relationships, communities, teams, or shared human concerns.
🧭
Universal
The primary intention is directed toward humanity as a whole, life itself, or reality beyond personal or group identity.
A person describing a direct present-moment experience while remaining involved without clinging, using that experience as a mirror for insight, and intending to contribute understanding to others.
×
🎖️ CPMI Badge Guide
🌱 Observer
Beginning recognition of attachment states and awareness lenses.
🪞 Mirror
Recognizes recurring patterns in self and others.
⚡ Lightning
Recognizes movement between postures and transitions.
🍓 Strawberry
Recognizes symbolic compression, attractors, recursion, and deeper patterns.
❤️ Heart
Future badge. Preserving difference within relationship.
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